Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Tuesday, January 21, 2014

Welcome Back!



          Happy New Year and welcome back to my blog! I've been on quite a hiatus lately. After the holidays, I visited my boyfriend in Albany for New Years and only a couple days later we were off to New Jersey for a film shoot. Andy directed and I was there to do hair and makeup. Those eight days were a combination of fun, boredom, frustration, meeting great new people, and above all, a huge learning experience. Once we got back to NY, we spent a day exploring in the city. Our last stop was NH, where he brought me home and spent a few days relaxing with me.


 

On New Years Eve, Andy drove me to see the Lights in the Park in Albany, NY.
Celebrating at midnight!
A wedding hairstyle I did for Andrea on the first day of shooting. 
In my little makeup corner where I chilled for a lot of the shoot.
The special effects makeup I did on Jake for one of many boxing scenes.
Working on Andrea's gunshot wound!
That's my boyfriend directing!
Spraying blood on Liam for a gruesome scene.
I helped with the set design in this scene!
At the Met with Andy!
The Egyptian exhibit was one of my favorites!
I can cross "Go to mood" off my bucket list!
I fell in love with a lion at FAO Schwartz.
Just being kids in a toy store!
He took me to see the windows at Bergdorf & Goodman.
We got dinner at an awesome sandwich shop called Num Pang.
I loved the underground, graffiti theme.
We both got really yummy fish sandwiches, mine with catfish, his with mahi-mahi. 


Monday, January 6, 2014

Catching Fire: Best Costume Design of the Year


          Until recently, I wasn't sold on the entire Hunger Games franchise. But through Trish Summerville's costume design in Catching Fire, I became intrigued. 

           The first movie, to me, was slow and overdone. There are so many dystopian books and movies today that the Hunger Games just felt like another regurgitated version. I wasn't planning on watching any more of the movies until buzz about Catching Fire rumored it was ten times better than The Hunger Games. So I saw it in theater a few days ago, and I was surprisingly impressed. Not only were the plot and acting better, but the costume design was taken to another level than any other movie I've seen this year. 


            Summerville, also the costume designer for the American version of The Girl with the Dragon Tattoo, curated an entire world of costumes. She had to dress both the modest district dwellers and the extravegant Capitol citizens. Then there were the Hunger Games uniforms, more streamlined and modern than before, and the intimidating, Peacekeeper uniforms inspired by the praying mantis.


             She put a massive amount of detail into every key piece and gave the film a high fashion attitude. Her dark and edgy style made the previous film look like child's play. She used many pieces from Alexander McQueen (which made me squeal like an excited little girl), as well as handmade clothes from emerging designers. She was thoughtful enough to have a balance of labels and knew the importance of exposing lesser known talent.

               I've made this kind of prediction before (sadly, I was wrong last year),  but I stand behind Summerville to win the Academy Award for Best Costume Design. Before I saw this movie, I was certain Catherine Martin would win for The Great Gatsby, but Summerville proved the Catching Fire wardrobe to be a much larger task.

Katniss 
                The very first garment you see in the film is Katniss' stunning cowl/scarf/shawl. No one really knows what to call it, but they all agree that it's too amazing for words. Designed by Maria Dora, this unique piece of knitwear is the talk of knitting bloggers and has inspired numerous DIY patterns. 

                  Every outfit that Katniss wears throughout the tribute tour is perfect. There's really no other way to put it! Summerville balanced the style of the Capitol, where Katniss was now a celebrity, with the down-to-earth style of her district. She wore a lot of leather, deep colors and blacks, and great knitwear. 

                   The biggest moment of her wardrobe, however, was her wedding gown. Designed by Tex Saverio, the dress had an intricate, metal bodice created with 3D printing. The full skirt was layer upon layer of cascading silk ruffles, weighing in at 25 pounds. 





Peeta

                   With Katniss' switch in style came a more sophisticated wardrobe for Peeta. He too donned more leather and darker colors. Most of the pieces were simple, but kept with current menswear trends. For his formal looks, Summerville gave him a gold neck piece similar to a bow tie, but worn tucked into his collar. 


Effie

                      As a Capitol fashion maven, Effie must have been an exciting character to dress. She maintained her over-the-top, couture dressing, but Summerville incorporated more McQueen and fewer puffy, 80s sleeves. Her pieces completely surpassed the previous movie in detail, materials, and styling. Her dresses had intriguing textures and colors, the McQueen one was made entirely out of feathers painted as monarch butterflies. Her shoes, hair pieces, and accessories were dynamic and added to, not distracted from, her ensembles. 



The Tributes
                   While a minor focus of the costume design, the tributes' clothing was equally innovative. Johanna's biggest look was her tree inspired gown made with cork at the neckline. Finnick had an interesting ensemble for his chariot outfit - a skirt made out of scales and a shiny, shell necklace - keeping with the detailed and textured aesthetic of the movie. 


Peacekeepers
                        Lastly, Summerville created an insect inspired costume for the peacekeepers. Half praying mantis and half stormtrooper, they were intimidating and breached the line between human and robot. 


Monday, September 23, 2013

NYFW: Samantha Pleet SS14 "Arcadia"


           My second show during New York Fashion Week wasn't actually a show, but rather a film premiere party. Held at The Wolverine Company in SoHo, Samantha Pleet revealed her Spring 2014 collection with a short film called "Arcadia." Guests were led to a room in the back of the store to experience the movie on screen. I had the pleasure to meet Samantha and interview her about her designs.

            This was a really fun way to present a collection, especially as the day was ending and everyone had certainly been itching to get away from runway monotony. The pieces had a perfect island getaway vibe, while still being wearable in a city. There were jumpsuits, cutout dresses, shorts, and shirt dresses in bright, playful colors and patterns. My favorite print was a mountain stripe. From far away, it looks like a typical, nautical stripe, but as you get closer, you see little mountains. These whimsical details in Samantha's garments are just right for a girl who doesn't take herself too seriously.

You can read all about her collection  and see the full film in my article for Papercut Magazine here:

Designer Samantha Pleet









Sunday, May 12, 2013

Brooks Brothers Collaborates with The Great Gatsby Film


      As I listen to The Great Gatsby soundtrack for the third time, I'm beginning to warm up to the tracks. It isn't as completely awesome as I expected it to be. I totally thought "No Church in the Wild" would be on there, along with a really great song from Jay Z, but his song "$100 Bill" is sub par. However, my favorites Florence and the Machine, Sia, and The xx make up a few stellar tracks. I don't always like all of Lana Del Rey's music but her song "Young and Beautiful" is surprisingly catchy.

     Regardless of the soundtrack, I am still very excited to see the movie. My film major boyfriend keeps telling me it's going to be terrible, but I have faith in Baz Luhrmann. His movies Romeo + Juliet and Moulin Rouge are among my favorites. He has a very extravagant, theatrical style that's almost always entertaining...I can't say I was thrilled by Australia though. Of course, the most exciting part for me is the costume design. I find 20s fashion endlessly inspiring and a massive amount of creative costumes is guaranteed to be in this movie. Luhrmann's wife, Catherine Martin did extensive research to recreate styles from the Roaring Twenties. She won an Oscar for her costumes in Moulin Rouge and I fully expect her to get another for this film, even if Luhrmann doesn't receive one.

      Martin's research led her to a collaboration with Brooks Brothers. While every fashion magazine has been focusing on the women's clothing from this era, it's refreshing to see someone including menswear in this  trend craze. I was walking down Newbury Street one night and stopped immediately when I saw the Brooks Brothers window displays of Gatsby inspired suits and separates.





      According to the Brooks Brothers' website, their clothing was a staple in Fitzgerald's wardrobe. Martin thought it was only appropriate to incorporate their clothes into the movie. She researched their archives to ensure her interpretations were accurate. Brooks Brothers then collaborated with Martin to create an exclusive menswear collection.


      The pieces are timeless versions of the company's old styles. From full suits and cardigans, to white wingtips and onyx cuff links, men can achieve Gatsby style in many different ways. With all these options, a guy can go head to toe 20s or just add a touch of it with one piece.


      Check out this behind the scenes video below to see Catherine Martin explain more about her designing process and the Brooks Brothers collaboration.




Visit the Brooks Brothers' website here to shop the collection.