Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Monday, January 6, 2014

Catching Fire: Best Costume Design of the Year


          Until recently, I wasn't sold on the entire Hunger Games franchise. But through Trish Summerville's costume design in Catching Fire, I became intrigued. 

           The first movie, to me, was slow and overdone. There are so many dystopian books and movies today that the Hunger Games just felt like another regurgitated version. I wasn't planning on watching any more of the movies until buzz about Catching Fire rumored it was ten times better than The Hunger Games. So I saw it in theater a few days ago, and I was surprisingly impressed. Not only were the plot and acting better, but the costume design was taken to another level than any other movie I've seen this year. 


            Summerville, also the costume designer for the American version of The Girl with the Dragon Tattoo, curated an entire world of costumes. She had to dress both the modest district dwellers and the extravegant Capitol citizens. Then there were the Hunger Games uniforms, more streamlined and modern than before, and the intimidating, Peacekeeper uniforms inspired by the praying mantis.


             She put a massive amount of detail into every key piece and gave the film a high fashion attitude. Her dark and edgy style made the previous film look like child's play. She used many pieces from Alexander McQueen (which made me squeal like an excited little girl), as well as handmade clothes from emerging designers. She was thoughtful enough to have a balance of labels and knew the importance of exposing lesser known talent.

               I've made this kind of prediction before (sadly, I was wrong last year),  but I stand behind Summerville to win the Academy Award for Best Costume Design. Before I saw this movie, I was certain Catherine Martin would win for The Great Gatsby, but Summerville proved the Catching Fire wardrobe to be a much larger task.

Katniss 
                The very first garment you see in the film is Katniss' stunning cowl/scarf/shawl. No one really knows what to call it, but they all agree that it's too amazing for words. Designed by Maria Dora, this unique piece of knitwear is the talk of knitting bloggers and has inspired numerous DIY patterns. 

                  Every outfit that Katniss wears throughout the tribute tour is perfect. There's really no other way to put it! Summerville balanced the style of the Capitol, where Katniss was now a celebrity, with the down-to-earth style of her district. She wore a lot of leather, deep colors and blacks, and great knitwear. 

                   The biggest moment of her wardrobe, however, was her wedding gown. Designed by Tex Saverio, the dress had an intricate, metal bodice created with 3D printing. The full skirt was layer upon layer of cascading silk ruffles, weighing in at 25 pounds. 





Peeta

                   With Katniss' switch in style came a more sophisticated wardrobe for Peeta. He too donned more leather and darker colors. Most of the pieces were simple, but kept with current menswear trends. For his formal looks, Summerville gave him a gold neck piece similar to a bow tie, but worn tucked into his collar. 


Effie

                      As a Capitol fashion maven, Effie must have been an exciting character to dress. She maintained her over-the-top, couture dressing, but Summerville incorporated more McQueen and fewer puffy, 80s sleeves. Her pieces completely surpassed the previous movie in detail, materials, and styling. Her dresses had intriguing textures and colors, the McQueen one was made entirely out of feathers painted as monarch butterflies. Her shoes, hair pieces, and accessories were dynamic and added to, not distracted from, her ensembles. 



The Tributes
                   While a minor focus of the costume design, the tributes' clothing was equally innovative. Johanna's biggest look was her tree inspired gown made with cork at the neckline. Finnick had an interesting ensemble for his chariot outfit - a skirt made out of scales and a shiny, shell necklace - keeping with the detailed and textured aesthetic of the movie. 


Peacekeepers
                        Lastly, Summerville created an insect inspired costume for the peacekeepers. Half praying mantis and half stormtrooper, they were intimidating and breached the line between human and robot. 


Saturday, November 16, 2013

Nail Art DIY: Inspired by Lizzy Caplan's in Bachelorette

 

          Aside from the humor, one of my favorite parts about the movie, Bachelorette, was funny girl, Lizzy Caplan's manicure. For all 87 minutes, I couldn't stop staring at her nails, hoping the camera would get just a bit closer. What I loved about this simple, yet trendy, design was that it's an unexpected take on the popular burgundy red nail color. It looks sophisticated and elongates the nails for more delicate looking fingers.

           Of course, I had to do this design on my own nails immediately! Here's my quick and easy DIY for you to try her look!




Nail polish I used: 
NYC Long Wearing Top Coat
Circus by Andrea's Choice in "Reverso"
Spoiled in "I Don't Drink Cheap Wine"


Step 1: Paint one to two coats of burgundy polish, depending on coverage.
Step 2: Let nails dry completely. I actually waited a day for them to fully set, to avoid any possible smudging with the contrasting polish. Cut round silvers of tape and place them on your nails just above your cuticles. 
Step 3: Paint the white polish only on this bottom section of your nails. If needed, add another coat of white polish.
Step 4: Let nails dry completely. Apply a top coat and you're finished!


Sunday, May 12, 2013

Brooks Brothers Collaborates with The Great Gatsby Film


      As I listen to The Great Gatsby soundtrack for the third time, I'm beginning to warm up to the tracks. It isn't as completely awesome as I expected it to be. I totally thought "No Church in the Wild" would be on there, along with a really great song from Jay Z, but his song "$100 Bill" is sub par. However, my favorites Florence and the Machine, Sia, and The xx make up a few stellar tracks. I don't always like all of Lana Del Rey's music but her song "Young and Beautiful" is surprisingly catchy.

     Regardless of the soundtrack, I am still very excited to see the movie. My film major boyfriend keeps telling me it's going to be terrible, but I have faith in Baz Luhrmann. His movies Romeo + Juliet and Moulin Rouge are among my favorites. He has a very extravagant, theatrical style that's almost always entertaining...I can't say I was thrilled by Australia though. Of course, the most exciting part for me is the costume design. I find 20s fashion endlessly inspiring and a massive amount of creative costumes is guaranteed to be in this movie. Luhrmann's wife, Catherine Martin did extensive research to recreate styles from the Roaring Twenties. She won an Oscar for her costumes in Moulin Rouge and I fully expect her to get another for this film, even if Luhrmann doesn't receive one.

      Martin's research led her to a collaboration with Brooks Brothers. While every fashion magazine has been focusing on the women's clothing from this era, it's refreshing to see someone including menswear in this  trend craze. I was walking down Newbury Street one night and stopped immediately when I saw the Brooks Brothers window displays of Gatsby inspired suits and separates.





      According to the Brooks Brothers' website, their clothing was a staple in Fitzgerald's wardrobe. Martin thought it was only appropriate to incorporate their clothes into the movie. She researched their archives to ensure her interpretations were accurate. Brooks Brothers then collaborated with Martin to create an exclusive menswear collection.


      The pieces are timeless versions of the company's old styles. From full suits and cardigans, to white wingtips and onyx cuff links, men can achieve Gatsby style in many different ways. With all these options, a guy can go head to toe 20s or just add a touch of it with one piece.


      Check out this behind the scenes video below to see Catherine Martin explain more about her designing process and the Brooks Brothers collaboration.




Visit the Brooks Brothers' website here to shop the collection. 


Tuesday, January 15, 2013

Colleen Atwood Nominated for Oscar


     "Snow White and the Huntsman" was yet another rendition of a classic fairy tale, so not much about the movie was exceptional. There were enough twists to keep it entertaining and the special effects added intrigue, but the performances were mediocre. The real accomplishment of this movie, however, was the costume design by Colleen Atwood. She has recently been named an Academy Award nominee for Best Costume Design and there is little doubt in my mind that she won't win it.


    All the nominees for this award coincidentally designed for a period film, one being the much lighter take on Snow White called, "Mirror Mirror." This means they will undoubtedly be judged on accuracy for the time period, in addition to the quality of the clothes and how the designs fit the characters. But what will set the winner apart is how the designer strayed from what was expected and took a hold of their own style.


     Colleen Atwood certainly accomplished this in her designs for "Snow White and the Huntsman." Her costumes for Queen Ariana alone took the movie from a typical, medieval set fairy tale to a dark, modernized battle against evil. The queen's clothing could almost be seen on royalty today because of the materials and techniques she used. One dress had a leather bodice with a peplum structured from embellishments that looked like wooden sticks, while the rest of the dress was made to look like armor with scales of metal. The wedding dress featured at the beginning of the movie had a simple corset bodice and slightly more dramatic pleated skirt, but what made it stunning were the large, intricate shoulders that looked like framework belonging to the walls of a building. A more gothic inspired, off-the-shoulder dress even has a neckline bordered with real bird skulls.  Of course, the queen's wardrobe wouldn't be complete without her now iconic feather cloak. It has a high, protruding collar, while the body of the garment has movement and body, created very thoughtfully with hundreds of feathers.


      Atwood clearly used every material possible to contribute to the immense drama her costumes provided the film. Her designs were so complex I can't imagine how long they took to make, and in my opinion are no match for the other Oscar contenders. In 2010, she won the same award for her designs in Tim Burton's "Alice in Wonderland." Only having seen the movie and not knowing as much about her work, I predicted she would win the award based on the creativity and quirk of her costumes. Hopefully, she'll grab another award this year! 




Thursday, September 20, 2012

Inspiration: Gidget Goes Hawaiian

Strapless Lace Dress - $88
 
     Whenever I watch old movies, of course it's the clothing I pay the most attention to. Singing in the Rain is my favorite musical and I wouldn't watch it over and over if the costumes weren't absolutely fabulous. Audrey Hepburn certainly didn't need a wardrobe to make her career a success, but it's what made every one of her major movies iconic.
 
      Recently, I watched a couple "Gidget" movies from the 1960s. After getting over the corny scripts and less than stellar acting, there's a certain enjoyment to take away from the whimsicality of these films. Set in a decade I love to pull inspiration from, there were plenty of retro fashions to make it worthwhile. My favorite dress was in Gidget Goes Hawaiian -- a red, strapless party dress worn by the snob Gidget befriends on vacation. The skirt of the dress is tiered lace and a prim little bow cinches the waistline.
 
      Only a few days after watching this movie I found a modern version of this dress on Victoria's Secret. No surprise that I was browsing their summer dresses, right? It's a perfect interpretation of the movie look and would be adorable for any summer party. However, at $88 I think I'll wait for it to go on sale! 




Sunday, May 1, 2011

Sunday Recommendations

     Bonjour mes amis ! What are you doing this fine Sunday? Not sure? No problem! I'll lend you my weekend to do list and maybe it'll inspire you to create something or motivate you to exercise. Or maybe you'll just decide it's a good day to be a couch potato and catch up on your favorite shows, which is always good too!



     1. Be your own jewelry designer on Kendra Scott.

Kendra Scott jewelry is always divine; the designs are sleek and simple while the colored gems add character and spunk. Now, you can create your own unique pieces with the site's Color Bar, choosing the metal, design, and gems that you want. When I found this I couldn't stop experimenting with different color palettes and combinations!


     2. Go see Water for Elephants for a second time.

Okay, I've never been one to waste money at the movies watching a film I already saw, but if I ever was, this would be the movie I'd go see again. It was inspiring, heartbreaking, and sweet and the actors did a fine job. I am definitely not one of Robert Pattison's adoring fans, but his surprisingly good performance made me see him in a new light, and perhaps I have a little more respect for him now. Reese, on the other hand has always been one of my favorites and her part delivered as I knew it would. I loved Christoph Waltz in Inglorious Basterds (one of my all-time faves) so I was excited to see him in a new role. This one was a bit darker but none the less, he played the part very well. Costumes are one of the best parts of a film and they sure didn't disappoint. Reese's exquisite circus outfits and gorgeous satin gowns were dazzling!



     3. Polish off your Easter candy.

I've been munching on jelly beans all week but I still have an entire package of Peeps left!


     4. Skim through all your unread Refinery29 newsletters that have been accumulating since April 8th.

My email piles up way too fast, partly because I'm subscribed to a few more sites than I probably should be, but also because I never have time to read all of them. My favorites are from Refinery29 and Fashionista, so those are usually the only ones I read.


     5. Make a dress out of vintage scarves.

Last summer (when I made better use of my Google Reader) I found an awesome DIY dress and I've been wanting to make it ever since. On the blog The Glamourai, Kelly made a simple dress using two scarves and a couple chains. It looks really easy so I'm hoping to finally make it today!



     6. Work out with Jillian.

I've been following a regimen of working out for 30 minutes every other day using my Jillian Michaels DVD and I've gotten great results. I started a few months ago and ever since, I've felt so much better and have even gained a little muscle! During drama rehearsals, my workouts kinda fell to the waist side, but now I'm getting back into things. The DVD I currently use has three different 20 minute workouts, so motivating myself to exercise is easy when I know I'm not taking a huge chunk out of my day to workout.


     7. Catch up on America's Next Top Model

I've been following all season long, but this week I didn't get a chance to watch. Alexandria is really the only one I have a problem with because she acts like such a diva. Britni is my favorite and I'm really hoping she wins Cycle 16.

Tuesday, March 1, 2011

And the award goes to...


     James Franco and Anne Hathaway may not have been the most charismatic hosts that the Oscars have seen, but they did a fine job keeping the energy alive and the audience cheerful...although, all I need to keep my interest is James' gorgeous smile and Anne's fashion statements. She changed her dress and hair style six times throughout the show and pulled it off quite flawlessly. All her jewelry was provided by Tiffany &Co. and each one of her dresses was as exclusive couture as it gets.


1. Crystal embroidered Givenchy Haute Couture bustier dress.
2. Lanvin satin tuxedo and custom Swarovski-crystal-studded Brian Atwood pumps.
3. Appliquéd gray-and-black gown, custom-made by Vivienne Westwood Couture.
4. Golden, one-shoulder Oscar de la Renta gown with beaded fringe.
5. Crimson Atelier Versace gown with scalloped sweetheart neckline.
6. Violet, futuristic Giorgio Armani Privé off-the-shoulder gown.

Next to all of Anne's beautiful gowns, what James wore was of lesser importance. However, there was one costume change that left everyone speechless...

...or rather dying from laughter!

"You got to wear a tuxedo, so I wore this. The weird part is I just got a text message from Charlie Sheen." -James Franco
     After all the buzz on the red-carpet, excitement of the ceremony, and surprise from the unexpected moments (cough...like Melissa Leo's dropping of the f-bomb and Jude Law bashing on Robert Downy Jr.), the awards are far from over. One of the best parts, and quite frankly the biggest reason we all watch them in the first place, is to recap who wore the best and worst of the evening.

     Last night was unique from most Academy Awards in the past. Usually there are quite a few messes in the midst of striking gowns, but I really can't say there was a single star whom I was appalled by. Each one made their own statement that was true to their unique styles. However, I did have favorites that I just couldn't keep my eyes off and I've given them awards of my own.

Best Showstopper

Halle Berry
Wore a Marchesa nude crystal-encrusted gown with ruffled train
and 10-carat diamond Neil Lane earrings.

Best Classic

Camila Alves
Wore a black Kaufmanfranco ball gown.

Best Contemporary
 
Cate Blanchett
Wore an elaborately beaded and pleated lilac Givenchy Haute Couture
gown and Van Cleef & Arpels jewelry.

Best Lingerie Inspired

Scarlett Johansson
Wore a burgundy, lace Dolce & Gabbana backless, column gown with Anna Hu
 Haute Joaillerie ruby, emerald, and diamond dragon-motif jewels.

Best Ladylike
 
Florence Welch
Wore a Valentino Haute Couture gown.

Best Metallic

Gwyneth Paltrow
Wore a fluid metallic Calvin Klein Collection column gown, Brian Atwood
pumps, and Louis Vuitton earrings, ring and brooch.

Best One of a Kind

Helena Bonham Carter
Wore a dress by costume designer Colleen Atwood, Solange Azagury-Partridge
jewels, a clutch made to look like a fan, and a Union Jack garter.

Best Understated

Jennifer Lawrence
Wore a red Calvin Klein Collection gown, Chopard earrings and
 bangle, and Jimmy Choo sandals.

Best Vintage

Marisa Tomei
Wore a 1950's Charles James from Lily et Cie Couture gown, with
Van Cleef & Arpels jewels and a Kotur clutch.

Best Plumage

Hilary Swank
Wore a silver sequined Gucci Première gown with ombré feathered train,
metallic Roger Vivier clutch, and Anna Hu jewelry.

Best Romantic 

Mila Kunis
Wore a lavender Elie Saab Haute Couture chiffon and lace gown
with a Bottega Veneta purse and Neil Lane jewelry.

Best Cut-out

Kathryn Bigelow
Wore a firebrick Yves Saint Laurent cutout dress.

Best Neon

Rhea Durham
Wore a Naeem Khan gown and Neil Lane jewelry.

Best Overall

Natalie Portman
Wore a plum, off-the-shoulder Rodarte gown with Swarovski crystal beading, Jimmy Choo heels, a Roger Vivier clutch, and Tiffany & Co. jewelry.

     Halle Berry's Marchesa was too beautiful for words. It had just the right amount of sparkle and the gathering of tulle brought the glamour over the top. Camila Alves' gown was so strikingly classy, I felt like I'd entered the world of Designing Woman when I saw it. Cate Blanchett never seems to be afraid of taking a risk, and her beaded Givenchy was no exception. It was both elegant and edgy, but not too much of either. Scarlett Johansson's lacy Dolce & Gabbana was just perfect for her. It was sexy but left enough to the imagination and looked stunning from every angle, including the back where a hole showcased her flawless back. Florence Welch may have looked too prim and proper in her Valentino if it weren't for her trendsetting ways. Her rebellious style makes everything she wears unique and beautiful. In her metallic Calvin Klein gown, Gwyneth Paltrow must have had heads turning. She kept everything simple with a chic hairstyle and just a couple accessories.

     Truthfully, I was expecting something crazier from Helena Bonham Carter, but she didn't disappoint. First of all, I found it totally appropriate that her costume designer for Alice in Wonderland, Coleen Atwood, costom-made her dress. It's like Helena was cheering on her colleague nominee, who later won the night's Academy Award for Best Costume Design. Second, Helena used her black gown as a canvas for her personality, adding a fan clutch and a Union Jack which she proudly showed off. At the opposite pole, was Jennifer Lawrence in Calvin Klein who made a statement with her beauty. It's refreshing to see someone who isn't wrapped up in the glamour and lets their natural loveliness take center stage.

     Marisa Tomei is one of those actresses that I don't see much of but when I do, something about her sparks my interest. Maybe it's because I always think of her hilarious performance in My Cousin Vinny, or because her name has a ring to it. But last night, it was because of her elegant vintage gown. There wasn't anything cutting-edge about it and her jewelry wasn't eye-catching, but she seemed to give off a warm familiarity that made me wishing I had her dress for my school's production of Grease. Hilary Swank is another actress I haven't seen on the red-carpet lately, but looked as if she was born there in her shimmering Gucci gown. The cascade of feathers gave her dress elegance, while the ombré coloring made it very "now." Mila Kunis is my current absolute envy. She is drop-dead-gorgeous, her past red-carpet looks are drop-dead-gorgeous, and her lavender Elie Saab gown was drop-dead-gorgeous! Kathryn Bigelow had simple down pat. Her YSL cut-out dress was clever and sophisticated--no different than the director herself. Rhea Durham is one of those women who can pull off anything, this time that anything being hot pink. Her Naeem Khan gown was playful, girly, and made me all the more hopeful for spring.

     Saying that Natalie Portman is an inspiration to me is an understatement. I not only have read everything about her latest venture in making Black Swan, but I recently watched her in an interview for the CBS Sunday Morning Show. She's down to earth, extremely hard working, and keeps most of her personal life away from the tabloids. I was instantly in awe of her when I read in Vogue how much she tirelessly trained for Black Swan and I absolutely loved her performance in No Strings Attached. All these reasons, plus the fact that I admire her effortlessly classy style, contribute to why I was overjoyed for her to win the Best Actress Academy Award. As for her Oscar night ensemble...her simple plum gown was stunning, as were her adorable Breakfast at Tiffany's-esque tassel earrings!